Bernard of Cluny by John Balnaves.
For further information contact ejb@prosentient.com.au
Home
| Intro
| Ch.1
| Ch.2
| Ch.3
| Ch.4
| Ch.5
| Ch.6a
| Ch.6b
| Ch.6c
| Ch.7
| Appendices
| Bibliography |
PDF (full thesis)
ABSTRACT
Bernard of
Morlaix was a Cluniac monk who flourished around 1140. What little is known
about him, including his visit to Rome, is examined in relation to the affairs
of the Cluniac family in his day. A new conjecture is advanced that he was prior
of Saint-Denis de Nogent-le-Rotrou. His poems are discussed as examples of the
genre of complaint literature. His treatment of the end of the world, and of
death, judgement, heaven and hell, is discussed in relation to twelfth-century
monasticism. His castigation of the sins of his time includes some of the
earliest estates satire. His anticlericalism and his misogyny are compared with
those of his contemporaries, and discussed in the context of twelfth-century
monastic culture. Bernard's classical learning is analysed and compared with
that of his contemporaries, especially John of Salisbury and Saint Bernard of
Clairvaux. His use of metre and rhyme is examined in the context of the
development of metre based on stress rather than quantity and of systematic and
sustained rhyme in the Latin verse of the twelfth century. Bernard's use of
interpretive and compositional allegory is explored. Bernard is seen as a man of
his time, exemplifying a number of twelfth-century characteristics, religious,
educational and cultural. Special attention is paid to the Latin literary
tradition, and it is suggested that the culture of the twelfth-century was in
many respects a culmination rather than a renaissance.